Archiv für Januar 2011

Vector Style

Donnerstag, 20. Januar 2011

It’s always a lot of work to vectorise a style but there’s nothing better to have a clean sketch!

Kilian Martin vs. Rodney Mullen

Mittwoch, 19. Januar 2011

Man About Town starring Kilian Martin and the one and only Rodney Mullen

…the early 90′s

Dienstag, 18. Januar 2011

Some Fresh Bremen Stuff

Donnerstag, 13. Januar 2011

Atomic Tobe

Sonntag, 09. Januar 2011


Acrylic on Canvas – 120x100cm – 2011

Hellfish Tattoo

Freitag, 07. Januar 2011

Go out and get your ink at Hellfish Tattoo Bremen

Good visual

Donnerstag, 06. Januar 2011

This one is great! 12 years of graffiti – I love the idea and the realisation!

Stolen from: http://beneathasteelsky.com/

Early Days

Dienstag, 04. Januar 2011

Back in the early 90′s I tryed a lot of different names and styles. My first full colored piece was a DIER in 1990. Until 1996 there where names like Zest, Term, Belz, Make, Skem, 2Bee, Bode and more… – I dropped my first TOBE piece in 1994 – So here are some of the old ones.

Kenny Scharf crossed

Montag, 03. Januar 2011

I saw this guy painting in New York. Now his piece was crossed by T-Ups! – why people can’t respect other artist works?


Completed mural by Kenny Scharf at Houston & Bowery, 12/7/10

Kenny Scharf mural with throwups 12/29/10

1983 mural on same wall at Houston & Bowery by Kenny Scharf, Keith Haring, LA2, Daze & others. This wall also has additions.
(Photos by Martha Cooper)

Graffiti is an ephemeral art form. Nobody expects an illegal graffiti piece, or even a legally spray painted mural, to last—especially in New York City. Photos last longer than the art itself and that’s one reason I enjoy taking them.  I’ve always been a fan of tags and throw ups and because they are underappreciated, I make a special effort to photograph them. A fresh throwie layered over a fading, peeling piece can rejuvenate it.

I was, however, saddened to see Kenny Scharf’s magnificent new mural on Houston Street destroyed.  Kenny worked day and night painting in miserable cold and rain earlier this month. He was given spray paint and a lift but not paid. He painted freehand and improvised the design on the spot. One of the dominant characters, a blue face with a red nose referenced a similar face that Kenny had painted on the same wall in 1983—illegally.

I don’t know if the guys who dogged Kenny’s wall thought about any of this or just wanted to get up wherever. For my part, I wish they’d shown a little respect for a hard working artist with established street cred and had allowed the wall to stand for a few months. Much as I admire vandals, I feel these perps were mean-spirited and heartless.

Martha Cooper